1 I. Gospodin Myriel I. M. Myriel 2 II. Gospodin Myriel postaje gospodin Dobrodošli II. M. Myriel Becomes M. Welcome 3 III. Teška biskupija za dobrog biskupa III. A Hard Bishopric for a Good Bishop 4 IV. Dela koja odgovaraju rečima IV. Works Corresponding to Words 5 V. Monsinjor Bienvenu je predugo nosio svoje mantije V. Monseigneur Bienvenu Made His Cassocks Last Too Long 6 VI. Ko mu je čuvao kuću VI. Who Guarded His House for Him 7 VII. Cravatte 8 VIII. Filozofija posle pića VIII. Philosophy After Drinking 9 IX. Brat kako ga opisuje sestra IX. The Brother as Depicted by the Sister 10 X. Biskup pred nepoznatom svetlošću X. The Bishop in the Presence of an Unknown Light 11 XI. Ograda XI. A Restriction 12 XII. Samoća monsenjora Velkoma XII. The Solitude of Monseigneur Welcome 13 XIII. U šta je verovao XIII. What He Believed 14 XIV. O čemu je mislio XIV. What He Thought 15 I. Veče nakon dana hoda I. The Evening of a Day of Walking 16 II. Opreznost savetovana mudrosti II. Prudence Counselled to Wisdom 17 III. Herojstvo pasivne poslušnosti III. The Heroism of Passive Obedience 18 IV. Pojedinosti o sirarama u Pontarlijeu IV. Details Concerning the Cheese-Dairies of Pontarlier 19 V. Spokoj V. Tranquillity 20 VI. Jean Valjean 21 VII. Unutrašnjost očaja VII. The Interior of Despair 22 VIII. Talasi i senke VIII. Billows and Shadows 23 IX. Nove nevolje IX. New Troubles 24 X. Probuđeni čovek X. The Man Aroused 25 XI. Šta on radi XI. What He Does 26 XII. Biskup radi XII. The Bishop Works 27 XIII. Mali Gervais XIII. Little Gervais 28 I. Godina 1817. I. The Year 1817 29 II. Dvostruki kvartet II. A Double Quartette 30 III. Četvoro i četvoro III. Four and Four 31 IV. Tholomyès je tako veseo da peva jednu špansku pesmicu IV. Tholomyès Is So Merry That He Sings a Spanish Ditty 32 V. Kod Bombarde V. At Bombarda’s 33 VI. Poglavlje u kome se obožavaju VI. A Chapter in Which They Adore Each Other 34 VII. Mudrost Tholomyèsa VII. The Wisdom of Tholomyès 35 VIII. Smrt konja VIII. The Death of a Horse 36 IX. Veseo kraj veselja IX. A Merry End to Mirth 37 I. Jedna majka susreće drugu majku I. One Mother Meets Another Mother 38 II. Prva skica dvaju neprijatnih likova II. First Sketch of Two Unprepossessing Figures 39 III. Ševa III. The Lark 40 I. Istorija napretka u nakitu od crnog stakla I. The History of a Progress in Black Glass Trinkets 41 II. Madeleine 42 III. Sume položene kod Lafita III. Sums Deposited with Laffitte 43 IV. Gospodin Madeleine u žalosti IV. M. Madeleine in Mourning 44 V. Nejasni bljeskovi na horizontu V. Vague Flashes on the Horizon 45 VI. Čiča Fauchelevent VI. Father Fauchelevent 46 VII. Fauchelevent postaje baštovan u Parizu VII. Fauchelevent Becomes a Gardener in Paris 47 VIII. Gospođa Victurnien troši trideset franaka na moral VIII. Madame Victurnien Expends Thirty Francs on Morality 48 IX. Uspeh gospođe Victurnien IX. Madame Victurnien’s Success 49 X. Posledica uspeha X. Result of the Success 50 XI. Christus Nos Liberavit 51 XII. Nedelatnost gospodina Bamataboa XII. M. Bamatabois’s Inactivity 52 XIII. Rešenje nekih pitanja vezanih za gradsku policiju XIII. The Solution of Some Questions Connected with the Municipal Police 53 I. Početak spokoja I. The Beginning of Repose 54 II. Kako Jean može postati Champ II. How Jean May Become Champ 55 I. Sestra Simplica I. Sister Simplice 56 II. Oštroumnost majstora Scaufflairea II. The Perspicacity of Master Scaufflaire 57 III. Bura u lobanji III. A Tempest in a Skull 58 IV. Oblici koje patnja uzima u snu IV. Forms Assumed by Suffering During Sleep 59 V. Prepreke V. Hindrances 60 VI. Sestra Simplica na iskušenju VI. Sister Simplice Put to the Proof 61 VII. Putnik po dolasku preduzima mere za odlazak VII. The Traveller on His Arrival Takes Precautions for Departure 62 VIII. Ulazak iz milosti VIII. An Entrance by Favor 63 IX. Mesto gde se stvaraju uverenja IX. A Place Where Convictions Are in Process of Formation 64 X. Sistem poricanja X. The System of Denials 65 XI. Champmathieu sve više zapanjen XI. Champmathieu More and More Astonished 66 I. U kom ogledalu g. Madeleine posmatra svoju kosu I. In What Mirror M. Madeleine Contemplates His Hair 67 II. Srećna Fantine II. Fantine Happy 68 III. Zadovoljni Javert III. Javert Satisfied 69 IV. Vlast ponovo preuzima svoja prava IV. Authority Reasserts Its Rights 70 V. Prikladan grob V. A Suitable Tomb 71 I. Šta se sreće na putu iz Nivellesa I. What Is Met with on the Way from Nivelles 72 II. Hougomont 73 III. Osamnaesti jun 1815. III. The Eighteenth of June, 1815 74 IV. A 75 V. Quid Obscurum bitaka V. The Quid Obscurum of Battles 76 VI. Četiri sata popodne VI. Four O’Clock in the Afternoon 77 VII. Napoleon dobre volje VII. Napoleon in a Good Humor 78 VIII. Car postavlja pitanje vodiču Lakostu VIII. The Emperor Puts a Question to the Guide Lacoste 79 IX. Neočekivano IX. The Unexpected 80 X. Visoravan Mon-Sen-Žan X. The Plateau of Mont-Saint-Jean 81 XI. Loš vodič za Napoleona; dobar vodič za Bülowa XI. A Bad Guide to Napoleon; A Good Guide to Bülow 82 XII. Garda XII. The Guard 83 XIII. Katastrofa XIII. The Catastrophe 84 XIV. Poslednji kare XIV. The Last Square 85 XV. Cambronne 86 XVI. Quot Libras in Duce? 87 XVII. Treba li Vaterlo smatrati dobrim? XVII. Is Waterloo to Be Considered Good? 88 XVIII. Ponovno buđenje božanskog prava XVIII. A Recrudescence of Divine Right 89 XIX. Bojno polje noću XIX. The Battlefield at Night 90 I. Broj 24.601 postaje broj 9.430 I. Number 24,601 Becomes Number 9,430 91 II. U kojem će čitalac pročitati dva stiha, možda đavolovog sastava II. In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly 92 III. Lanac oko gležnja mora da je pretrpeo izvesnu prethodnu obradu da bi se ovako prelomio udarcem čekića III. The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer 93 I. Pitanje vode u Montfermeju I. The Water Question at Montfermeil 94 II. Dva potpuna portreta II. Two Complete Portraits 95 III. Ljudima treba vino, a konjima voda III. Men Must Have Wine, and Horses Must Have Water 96 IV. Ulazak lutke na scenu IV. Entrance on the Scene of a Doll 97 V. Malena sasvim sama V. The Little One All Alone 98 VI. Što možda dokazuje Boulatruelleovu oštroumnost VI. Which Possibly Proves Boulatruelle’s Intelligence 99 VII. Cosette rame uz rame sa strancem u mraku VII. Cosette Side by Side with the Stranger in the Dark 100 VIII. Neprijatnost primanja u kuću siromaha koji bi mogao biti bogataš VIII. The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man 101 IX. Thénardier i njegovi manevri IX. Thénardier and His Manouvres 102 X. Ko traži da popravi svoj položaj može ga pogoršati X. He Who Seeks to Better Himself May Render His Situation Worse 103 XI. Broj 9.430 se ponovo pojavljuje, i Cosette ga dobija na lutriji XI. Number 9,430 Reappears, and Cosette Wins It in the Lottery 104 I. Majstor Gorbeau I. Master Gorbeau 105 II. Gnezdo za sovu i grmušu II. A Nest for Owl and a Warbler 106 III. Dve nesreće čine jednu sreću III. Two Misfortunes Make One Piece of Good Fortune 107 IV. Primedbe glavnog stanara IV. The Remarks of the Principal Tenant 108 V. Novčić od pet franaka pada na pod i izaziva metež V. A Five-Franc Piece Falls on the Ground and Produces a Tumult 109 I. Cik-cak putevi strategije I. The Zigzags of Strategy 110 II. Srećom, most Austerlic nosi kočije II. It Is Lucky That the Pont d’Austerlitz Bears Carriages 111 III. To jest, plan Pariza iz 1727. godine III. To Wit, the Plan of Paris in 1727 112 IV. Pipanja bekstva IV. The Gropings of Flight 113 V. Ono što bi s gasnim fenjerima bilo nemoguće V. Which Would Be Impossible with Gas Lanterns 114 VI. Početak zagonetke VI. The Beginning of an Enigma 115 VII. Nastavak zagonetke VII. Continuation of the Enigma 116 VIII. Zagonetka postaje dvostruko tajanstvenija VIII. The Enigma Becomes Doubly Mysterious 117 IX. Čovek sa praporcem IX. The Man with the Bell 118 X. Koje objašnjava kako je Javert napao na trag X. Which Explains How Javert Got on the Scent 119 I. Broj 62 u Ulici Petit-Picpus I. Number 62 Rue Petit-Picpus 120 II. Poslušnost Martina Verge II. The Obedience of Martin Verga 121 III. Isposništva III. Austerities 122 IV. Veselja IV. Gayeties 123 V. Razonode V. Distractions 124 VI. Mali samostan VI. The Little Convent 125 VII. Nekoliko silueta ove tame VII. Some Silhouettes of This Darkness 126 VIII. Post Corda Lapides 127 IX. Vek pod kaluđeričkim velom IX. A Century Under a Guimpe 128 X. Poreklo večnog obožavanja X. Origin of the Perpetual Adoration 129 XI. Kraj Petit-Picpusa XI. End of the Petit-Picpus 130 II. Manastir kao istorijska činjenica II. The Convent as an Historical Fact 131 III. Pod kojim uslovima se može poštovati prošlost III. On What Conditions One Can Respect the Past 132 IV. Manastir sa stanovišta načela IV. The Convent from the Point of View of Principles 133 V. Molitva V. Prayer 134 VI. Apsolutna dobrota molitve VI. The Absolute Goodness of Prayer 135 VIII. Vera, zakon VIII. Faith, Law 136 I. Koje govori o načinu ulaska u manastir I. Which Treats of the Manner of Entering a Convent 137 II. Fauchelevent pred jednom teškoćom II. Fauchelevent in the Presence of a Difficulty 138 III. Majka Innocente III. Mother Innocente 139 IV. U kome Jean Valjean sasvim izgleda kao da je čitao Austina Castilleja IV. In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo 140 V. Ne mora se biti pijan da bi se bilo besmrtan V. It Is Not Necessary to Be Drunk in Order to Be Immortal 141 VI. Između četiri daske VI. Between Four Planks 142 VII. U kome će se naći poreklo izreke: Ne izgubi kartu VII. In Which Will Be Found the Origin of the Saying: Don’t Lose the Card 143 VIII. Uspešno saslušanje VIII. A Successful Interrogatory 144 IX. Iza manastirskih zidina IX. Cloistered 145 II. Neke od njegovih osobitih odlika II. Some of His Particular Characteristics 146 III. On je prijatan III. He Is Agreeable 147 V. Njegove granice V. His Frontiers 148 VI. Malo istorije VI. A Bit of History 149 VII. Mangup bi zaslužio mesto u indijskim klasifikacijama VII. The Gamin Should Have His Place in the Classifications of India 150 VIII. U kojem će čitalac naći ljupku izreku poslednjeg kralja VIII. In Which the Reader Will Find a Charming Saying of the Last King 151 IX. Stara duša Galije IX. The Old Soul of Gaul 152 X. Ecce Paris, Ecce Homo 153 XI. Rugati se, vladati XI. To Scoff, to Reign 154 XII. Budućnost skrivena u narodu XII. The Future Latent in the People 155 XIII. Mali Gavroche XIII. Little Gavroche 156 I. Devedeset godina i trideset dva zuba I. Ninety Years and Thirty-Two Teeth 157 II. Kakav gospodar, takva i kuća II. Like Master, Like House 158 III. Luc-Esprit 159 IV. Stogodišnji udvarač IV. A Centenarian Aspirant 160 V. Basque i Nicolette V. Basque and Nicolette 161 VI. U kojem se pojavljuju Manjon i njeno dvoje dece VI. In Which Magnon and Her Two Children Are Seen 162 VIII. Dvoje ne čine par VIII. Two Do Not Make a Pair 163 I. Jedan stari salon I. An Ancient Salon 164 II. Jedan od crvenih utvara tog doba II. One of the Red Spectres of That Epoch 165 III. Requiescant 166 IV. Kraj razbojnika IV. End of the Brigand 167 V. Korist od odlaska na misu da bi se postalo revolucionar V. The Utility of Going to Mass, in Order to Become a Revolutionist 168 VI. Posledice susreta s crkvenim tutorom VI. The Consequences of Having Met a Warden 169 VII. Neka suknja VII. Some Petticoat 170 VIII. Mermer protiv granita VIII. Marble Against Granite 171 I. Grupa koja umalo nije postala istorijska I. A Group Which Barely Missed Becoming Historic 172 II. Posmrtni govor Blondou koji drži Bossuet II. Blondeau’s Funeral Oration by Bossuet 173 III. Mariusova čuđenja III. Marius’ Astonishments 174 IV. Zadnja soba kafea Musain IV. The Back Room of the Café Musain 175 V. Širenje horizonta V. Enlargement of Horizon 176 VI. Res Angusta 177 I. Marius u oskudici I. Marius Indigent 178 II. Siromašni Marius II. Marius Poor 179 III. Odrasli Marius III. Marius Grown Up 180 IV. M. Mabeuf 181 V. Siromaštvo, dobar susjed bede V. Poverty a Good Neighbor for Misery 182 VI. Zamenik VI. The Substitute 183 I. Nadimak: kako nastaju porodična imena I. The Sobriquet: Mode of Formation of Family Names 184 II. Lux Facta Est 185 III. Dejstvo proleća III. Effect of the Spring 186 IV. Početak velike bolesti IV. Beginning of a Great Malady 187 V. Razni gromovi padaju na gospu Bugon V. Divers Claps of Thunder Fall on Ma’am Bougon 188 VI. Zarobljen VI. Taken Prisoner 189 VII. Doživljaji slova U prepuštenog nagađanjima VII. Adventures of the Letter U Delivered Over to Conjectures 190 VIII. I sami veterani mogu biti srećni VIII. The Veterans Themselves Can Be Happy 191 IX. Pomračenje IX. Eclipse 192 I. Mine i minери I. Mines and Miners 193 II. Najdublje dubine II. The Lowest Depths 194 III. Babet, Gueulemer, Claquesous i Montparnasse III. Babet, Gueulemer, Claquesous, and Montparnasse 195 IV. Sastav bande IV. Composition of the Troupe 196 I. Marius, tražeći devojku sa kapicom, susreće čoveka s kapom I. Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap 197 II. Pronađeno blago II. Treasure Trove 198 III. Quadrifrons 199 IV. Ruža u bedi IV. A Rose in Misery 200 V. Providencijalna rupica za virenje V. A Providential Peephole 201 VI. Divljak u svom brlogu VI. The Wild Man in His Lair 202 VII. Strategija i taktika VII. Strategy and Tactics 203 VIII. Zrak svetlosti u straćari VIII. The Ray of Light in the Hovel 204 IX. Žondret samo što ne zaplače IX. Jondrette Comes Near Weeping 205 X. Tarifa fijakera s dozvolom: dva franka na sat X. Tariff of Licensed Cabs: Two Francs an Hour 206 XI. Ponude usluga od bede bedi XI. Offers of Service from Misery to Wretchedness 207 XII. Šta je učinjeno s petofrankom gospodina Leblana XII. The Use Made of M. Leblanc’s Five-Franc Piece 208 XIII. Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster 209 XIV. U kojem policijski agent udeljuje advokatu dve pesnice XIV. In Which a Police Agent Bestows Two Fistfuls on a Lawyer 210 XV. Jondrette obavlja svoje kupovine XV. Jondrette Makes His Purchases 211 XVI. U kojem se nalaze reči jedne engleske melodije koja je bila u modi 1832. XVI. In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832 212 XVII. Kako je upotrebljen Mariusov novčić od pet franaka XVII. The Use Made of Marius’ Five-Franc Piece 213 XVIII. Dve Mariusove stolice stoje jedna naspram druge XVIII. Marius’ Two Chairs Form a Vis-à-vis 214 XIX. Baviti se mračnim dubinama XIX. Occupying One’s Self with Obscure Depths 215 XX. Zamka XX. The Trap 216 XXI. Uvek treba početi hapšenjem žrtava XXI. One Should Always Begin by Arresting the Victims 217 XXII. Mališan koji je plakao u drugom tomu XXII. The Little One Who Was Crying in Volume Two 218 I. Dobro skrojeno I. Well Cut 219 II. Loše sašiveno II. Badly Sewed 220 III. Luj Filip III. Louis Philippe 221 IV. Pukotine ispod temelja IV. Cracks Beneath the Foundation 222 V. Činjenice iz kojih izvire istorija, a koje istorija zanemaruje V. Facts Whence History Springs and Which History Ignores 223 VI. Enjolras i njegovi poručnici VI. Enjolras and His Lieutenants 224 I. Ševina livada I. The Lark’s Meadow 225 II. Zametak zločina u inkubaciji tamnica II. Embryonic Formation of Crimes in the Incubation of Prisons 226 III. Priviđenje čiča-Mabefu III. Apparition to Father Mabeuf 227 IV. Priviđenje Mariusu IV. An Apparition to Marius 228 I. Kuća s tajnom I. The House with a Secret 229 II. Jean Valjean kao narodni gardista II. Jean Valjean as a National Guard 230 III. Foliis Ac Frondibus 231 IV. Promena kapije IV. Change of Gate 232 V. Ruža uviđa da je ratna sprava V. The Rose Perceives That It Is an Engine of War 233 VI. Otpočela bitka VI. The Battle Begun 234 VII. Suprotstaviti jednoj tuzi tugu i po VII. To One Sadness Oppose a Sadness and a Half 235 VIII. Robijaški lanac VIII. The Chain-Gang 236 I. Rana spolja, isceljenje iznutra I. A Wound Without, Healing Within 237 II. Majka Plutarque bez muke objašnjava jednu pojavu II. Mother Plutarque Finds No Difficulty in Explaining a Phenomenon 238 I. Samoća i kasarna udruženi I. Solitude and the Barracks Combined 239 II. Cosettina strahovanja II. Cosette’s Apprehensions 240 III. Obogaćeno Toussaintovim komentarima III. Enriched with Commentaries by Toussaint 241 IV. Srce ispod kamena IV. A Heart Beneath a Stone 242 V. Cosette posle pisma V. Cosette After the Letter 243 VI. Starci su tu da izađu u pravi čas VI. Old People Are Made to Go Out Opportunely 244 I. Pakosna razigranost vetra I. The Malicious Playfulness of the Wind 245 II. U kojem mali Gavroche izvlači korist od Napoleona Velikog II. In Which Little Gavroche Extracts Profit from Napoleon the Great 246 III. Preokreti bekstva III. The Vicissitudes of Flight 247 I. Poreklo I. Origin 248 II. Koreni II. Roots 249 Žargon koji plače i žargon koji se smeje III. Slang Which Weeps and Slang Which Laughs 250 Dve dužnosti: bdeti i nadati se IV. The Two Duties: To Watch and to Hope 251 Puna svetlost I. Full Light 252 Zbunjenost savršene sreće II. The Bewilderment of Perfect Happiness 253 Početak senke III. The Beginning of Shadow 254 Fijaker juri na engleskom i laje na žargonu IV. A Cab Runs in English and Barks in Slang 255 Stvari noći V. Things of the Night 256 Marius ponovo postaje praktičan toliko da daje Cosette svoju adresu VI. Marius Becomes Practical Once More to the Extent of Giving Cosette His Address 257 VII. Staro srce i mlado srce jedno naspram drugog VII. The Old Heart and the Young Heart in the Presence of Each Other 258 I. Jean Valjean 259 II. Marius 260 III. Gospodin Mabeuf III. M. Mabeuf 261 I. Površina pitanja I. The Surface of the Question 262 II. Suština stvari II. The Root of the Matter 263 III. Sahrana; prilika da se ponovo rodiš III. A Burial; An Occasion to Be Born Again 264 IV. Uzavrela osećanja nekadašnjih dana IV. The Ebullitions of Former Days 265 V. Originalnost Pariza V. Originality of Paris 266 I. Nekoliko objašnjenja o poreklu Gavroševe poezije I. Some Explanations with Regard to the Origin of Gavroche’s Poetry 267 II. Gavroš u maršu II. Gavroche on the March 268 III. Opravdano negodovanje jednog berberina III. Just Indignation of a Hairdresser 269 IV. Dete se čudi starcu IV. The Child Is Amazed at the Old Man 270 V. Starac V. The Old Man 271 VI. Regruti VI. Recruits 272 I. Istorija Corinthea od njegovog osnivanja I. History of Corinthe from Its Foundation 273 II. Uvodne veselosti II. Preliminary Gayeties 274 III. Noć počinje da se spušta na Grantairea III. Night Begins to Descend Upon Grantaire 275 IV. Pokušaj da se uteši udovica Hucheloup IV. An Attempt to Console the Widow Hucheloup 276 V. Pripreme V. Preparations 277 VI. Čekanje VI. Waiting 278 VII. Čovek unovačen u Rue des Billettes VII. The Man Recruited in the Rue des Billettes 279 VIII. Mnogo znakova pitanja u vezi s izvesnim Le Cabucom VIII. Many Interrogation Points with Regard to a Certain le Cabuc 280 I. Od Rue Plumet do kvarta Saint-Denis I. From the Rue Plumet to the Quartier Saint-Denis 281 II. Pariz iz ptičje perspektive sove II. An Owl’s View of Paris 282 III. Krajnja ivica III. The Extreme Edge 283 I. Zastava: prvi čin I. The Flag: Act First 284 II. Zastava: drugi čin II. The Flag: Act Second 285 III. Gavroche bi bolje učinio da je prihvatio Enjolrasovu karabinku III. Gavroche Would Have Done Better to Accept Enjolras’ Carbine 286 IV. Bure baruta IV. The Barrel of Powder 287 V. Kraj stihova Žana Pruvera V. End of the Verses of Jean Prouvaire 288 VI. Agonija smrti nakon agonije života VI. The Agony of Death After the Agony of Life 289 VII. Gavroš kao dubok proračunavač razdaljina VII. Gavroche as a Profound Calculator of Distances 290 I. Pijanac je brbljivac I. A Drinker Is a Babbler 291 II. Ulično derište, neprijatelj svetlosti II. The Street Urchin an Enemy of Light 292 III. Dok Cosette i Toussaint spavaju III. While Cosette and Toussaint Are Asleep 293 IV. Gavrošev preteran žar IV. Gavroche’s Excess of Zeal 294 I. Haribda predgrađa Saint-Antoine i Scila I. The Charybdis of the Faubourg Saint Antoine and the Scylla 295 II. Šta raditi u ponoru ako se ne razgovara II. What Is to Be Done in the Abyss if One Does Not Converse 296 III. Svetlost i senka III. Light and Shadow 297 IV. Pet manje, jedan više IV. Minus Five, Plus One 298 V. Horizont koji se vidi s vrha barikade V. The Horizon Which One Beholds from the Summit of a Barricade 299 VI. Marius izmučen, Javert lakonski VI. Marius Haggard, Javert Laconic 300 VII. Situacija se pogoršava VII. The Situation Becomes Aggravated 301 VIII. Artiljerci prisiljavaju da ih shvate ozbiljno VIII. The Artillerymen Compel People to Take Them Seriously 302 IX. Upotreba starih veština jednog krivolovca i one nepogrešive gađačke veštine koja je uticala na osudu iz 1796. IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796 303 X. Zora X. Dawn 304 XI. Hitac koji ne promašuje ništa i ne ubija nikoga XI. The Shot Which Misses Nothing and Kills No One 305 XII. Nered kao pristalica reda XII. Disorder a Partisan of Order 306 XIII. Prolazni odsjaji XIII. Passing Gleams 307 XIV. U kome će se pojaviti ime Enjolrasove drage XIV. Wherein Will Appear the Name of Enjolras’ Mistress 308 XV. Gavroche napolju XV. Gavroche Outside 309 XVI. Kako se od brata postaje otac XVI. How from a Brother One Becomes a Father 310 XVII. Mortuus Pater Filium Moriturum Expectat 311 XVIII. Lešinar postaje plen XVIII. The Vulture Become Prey 312 XIX. Jean Valjean se osvećuje XIX. Jean Valjean Takes His Revenge 313 XX. Mrtvi su u pravu, a živi nisu u krivu XX. The Dead Are in the Right and the Living Are Not in the Wrong 314 XXI. Heroji XXI. The Heroes 315 XXII. Stopu po stopu XXII. Foot to Foot 316 XXIII. Gladni Orest i pijani Pilad XXIII. Orestes Fasting and Pylades Drunk 317 XXIV. Zarobljenik XXIV. Prisoner 318 I. Zemlja koju more osiromašuje I. The Land Impoverished by the Sea 319 II. Drevna istorija kanalizacije II. Ancient History of the Sewer 320 III. Bruneseau 321 IV 322 V. Sadašnji napredak V. Present Progress 323 VI. Budući napredak VI. Future Progress 324 I. Kanalizacija i njena iznenađenja I. The Sewer and Its Surprises 325 II. Objašnjenje II. Explanation 326 III. "Praćeni" čovek III. The “Spun” Man 327 IV. I on nosi svoj krst IV. He Also Bears His Cross 328 V. U pesku kao i u ženi ima podmukle finoće V. In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous 329 VI. Fontis VI. The Fontis 330 VII. Ponekad se nasučeš kad misliš da si se iskrcao VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking 331 VIII. Pocepani skut kaputa VIII. The Torn Coattail 332 IX. Marius na nekoga ko se u to razume ostavlja utisak mrtvaca IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead 333 X. Povratak sina rasipnika svog života X. Return of the Son Who Was Prodigal of His Life 334 XI. Potres u apsolutnom XI. Concussion in the Absolute 335 XII. Deda XII. The Grandfather 336 I. Javert je polako silazio ulicom de l'Homme Armé I. Javert passed slowly down the Rue de l’Homme Armé 337 I. U kojem se ponovo pojavljuje drvo sa cinkanim flasterom I. In Which the Tree with the Zinc Plaster Appears Again 338 II. Marius, izišavši iz građanskog rata, sprema se za kućni rat II. Marius, Emerging from Civil War, Makes Ready for Domestic War 339 III. Marius napadnut III. Marius Attacked 340 IV. U kojem gospođica Gillenormand na kraju više ne smatra lošim što je gospodin Fauchelevent ušao s nečim pod pazuhom IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm 341 V. Odloži svoj novac radije u šumu nego kod beležnika V. Deposit Your Money in a Forest Rather Than with a Notary 342 VI. Dvojica staraca čine sve, svaki na svoj način, da usreće Cosette VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy 343 VII. Učinci snova pomešanih sa srećom VII. The Effects of Dreams Mingled with Happiness 344 VIII. Dvojica ljudi koje je nemoguće pronaći VIII. Two Men Impossible to Find 345 I. 16. februar 1833. I. The 16th of February, 1833 346 II. Jean Valjean i dalje nosi ruku u povesci II. Jean Valjean Still Wears His Arm in a Sling 347 III. Nerazdvojni III. The Inseparable 348 IV. Besmrtna jetra IV. The Immortal Liver 349 I. Sedmi krug i osmo nebo I. The Seventh Circle and the Eighth Heaven 350 II. Mrakovi koje otkriće može sadržati II. The Obscurities Which a Revelation Can Contain 351 I. Donja soba I. The Lower Chamber 352 II. Još jedan korak unazad II. Another Step Backwards 353 III. Sećaju se vrta u Ulici Plume III. They Recall the Garden of the Rue Plumet 354 IV. Privlačnost i gašenje IV. Attraction and Extinction 355 I. Sažaljenje prema nesrećnima, ali popustljivost prema srećnima I. Pity for the Unhappy, but Indulgence for the Happy 356 II. Poslednji treptaji svetiljke bez ulja II. Last Flickerings of a Lamp Without Oil 357 III. Pero je teško čoveku koji je podigao Faucheleventova kola III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart 358 IV. Bočica mastila kojoj je pošlo za rukom samo da obeli IV. A Bottle of Ink Which Only Succeeded in Whitening 359 V. Noć iza koje je dan V. A Night Behind Which There Is Day