1 I. M. Myriel I. Gospodin Myriel 2 II. M. Myriel Becomes M. Welcome II. Gospodin Myriel postaje gospodin Dobrodošli 3 III. A Hard Bishopric for a Good Bishop III. Teška biskupija za dobrog biskupa 4 IV. Works Corresponding to Words IV. Dela koja odgovaraju rečima 5 V. Monseigneur Bienvenu Made His Cassocks Last Too Long V. Monsinjor Bienvenu je predugo nosio svoje mantije 6 VI. Who Guarded His House for Him VI. Ko mu je čuvao kuću 7 VII. Cravatte 8 VIII. Philosophy After Drinking VIII. Filozofija posle pića 9 IX. The Brother as Depicted by the Sister IX. Brat kako ga opisuje sestra 10 X. The Bishop in the Presence of an Unknown Light X. Biskup pred nepoznatom svetlošću 11 XI. A Restriction XI. Ograda 12 XII. The Solitude of Monseigneur Welcome XII. Samoća monsenjora Velkoma 13 XIII. What He Believed XIII. U šta je verovao 14 XIV. What He Thought XIV. O čemu je mislio 15 I. The Evening of a Day of Walking I. Veče nakon dana hoda 16 II. Prudence Counselled to Wisdom II. Opreznost savetovana mudrosti 17 III. The Heroism of Passive Obedience III. Herojstvo pasivne poslušnosti 18 IV. Details Concerning the Cheese-Dairies of Pontarlier IV. Pojedinosti o sirarama u Pontarlijeu 19 V. Tranquillity V. Spokoj 20 VI. Jean Valjean 21 VII. The Interior of Despair VII. Unutrašnjost očaja 22 VIII. Billows and Shadows VIII. Talasi i senke 23 IX. New Troubles IX. Nove nevolje 24 X. The Man Aroused X. Probuđeni čovek 25 XI. What He Does XI. Šta on radi 26 XII. The Bishop Works XII. Biskup radi 27 XIII. Little Gervais XIII. Mali Gervais 28 I. The Year 1817 I. Godina 1817. 29 II. A Double Quartette II. Dvostruki kvartet 30 III. Four and Four III. Četvoro i četvoro 31 IV. Tholomyès Is So Merry That He Sings a Spanish Ditty IV. Tholomyès je tako veseo da peva jednu špansku pesmicu 32 V. At Bombarda’s V. Kod Bombarde 33 VI. A Chapter in Which They Adore Each Other VI. Poglavlje u kome se obožavaju 34 VII. The Wisdom of Tholomyès VII. Mudrost Tholomyèsa 35 VIII. The Death of a Horse VIII. Smrt konja 36 IX. A Merry End to Mirth IX. Veseo kraj veselja 37 I. One Mother Meets Another Mother I. Jedna majka susreće drugu majku 38 II. First Sketch of Two Unprepossessing Figures II. Prva skica dvaju neprijatnih likova 39 III. The Lark III. Ševa 40 I. The History of a Progress in Black Glass Trinkets I. Istorija napretka u nakitu od crnog stakla 41 II. Madeleine 42 III. Sums Deposited with Laffitte III. Sume položene kod Lafita 43 IV. M. Madeleine in Mourning IV. Gospodin Madeleine u žalosti 44 V. Vague Flashes on the Horizon V. Nejasni bljeskovi na horizontu 45 VI. Father Fauchelevent VI. Čiča Fauchelevent 46 VII. Fauchelevent Becomes a Gardener in Paris VII. Fauchelevent postaje baštovan u Parizu 47 VIII. Madame Victurnien Expends Thirty Francs on Morality VIII. Gospođa Victurnien troši trideset franaka na moral 48 IX. Madame Victurnien’s Success IX. Uspeh gospođe Victurnien 49 X. Result of the Success X. Posledica uspeha 50 XI. Christus Nos Liberavit 51 XII. M. Bamatabois’s Inactivity XII. Nedelatnost gospodina Bamataboa 52 XIII. The Solution of Some Questions Connected with the Municipal Police XIII. Rešenje nekih pitanja vezanih za gradsku policiju 53 I. The Beginning of Repose I. Početak spokoja 54 II. How Jean May Become Champ II. Kako Jean može postati Champ 55 I. Sister Simplice I. Sestra Simplica 56 II. The Perspicacity of Master Scaufflaire II. Oštroumnost majstora Scaufflairea 57 III. A Tempest in a Skull III. Bura u lobanji 58 IV. Forms Assumed by Suffering During Sleep IV. Oblici koje patnja uzima u snu 59 V. Hindrances V. Prepreke 60 VI. Sister Simplice Put to the Proof VI. Sestra Simplica na iskušenju 61 VII. The Traveller on His Arrival Takes Precautions for Departure VII. Putnik po dolasku preduzima mere za odlazak 62 VIII. An Entrance by Favor VIII. Ulazak iz milosti 63 IX. A Place Where Convictions Are in Process of Formation IX. Mesto gde se stvaraju uverenja 64 X. The System of Denials X. Sistem poricanja 65 XI. Champmathieu More and More Astonished XI. Champmathieu sve više zapanjen 66 I. In What Mirror M. Madeleine Contemplates His Hair I. U kom ogledalu g. Madeleine posmatra svoju kosu 67 II. Fantine Happy II. Srećna Fantine 68 III. Javert Satisfied III. Zadovoljni Javert 69 IV. Authority Reasserts Its Rights IV. Vlast ponovo preuzima svoja prava 70 V. A Suitable Tomb V. Prikladan grob 71 I. What Is Met with on the Way from Nivelles I. Šta se sreće na putu iz Nivellesa 72 II. Hougomont 73 III. The Eighteenth of June, 1815 III. Osamnaesti jun 1815. 74 IV. A 75 V. The Quid Obscurum of Battles V. Quid Obscurum bitaka 76 VI. Four O’Clock in the Afternoon VI. Četiri sata popodne 77 VII. Napoleon in a Good Humor VII. Napoleon dobre volje 78 VIII. The Emperor Puts a Question to the Guide Lacoste VIII. Car postavlja pitanje vodiču Lakostu 79 IX. The Unexpected IX. Neočekivano 80 X. The Plateau of Mont-Saint-Jean X. Visoravan Mon-Sen-Žan 81 XI. A Bad Guide to Napoleon; A Good Guide to Bülow XI. Loš vodič za Napoleona; dobar vodič za Bülowa 82 XII. The Guard XII. Garda 83 XIII. The Catastrophe XIII. Katastrofa 84 XIV. The Last Square XIV. Poslednji kare 85 XV. Cambronne 86 XVI. Quot Libras in Duce? 87 XVII. Is Waterloo to Be Considered Good? XVII. Treba li Vaterlo smatrati dobrim? 88 XVIII. A Recrudescence of Divine Right XVIII. Ponovno buđenje božanskog prava 89 XIX. The Battlefield at Night XIX. Bojno polje noću 90 I. Number 24,601 Becomes Number 9,430 I. Broj 24.601 postaje broj 9.430 91 II. In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly II. U kojem će čitalac pročitati dva stiha, možda đavolovog sastava 92 III. The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer III. Lanac oko gležnja mora da je pretrpeo izvesnu prethodnu obradu da bi se ovako prelomio udarcem čekića 93 I. The Water Question at Montfermeil I. Pitanje vode u Montfermeju 94 II. Two Complete Portraits II. Dva potpuna portreta 95 III. Men Must Have Wine, and Horses Must Have Water III. Ljudima treba vino, a konjima voda 96 IV. Entrance on the Scene of a Doll IV. Ulazak lutke na scenu 97 V. The Little One All Alone V. Malena sasvim sama 98 VI. Which Possibly Proves Boulatruelle’s Intelligence VI. Što možda dokazuje Boulatruelleovu oštroumnost 99 VII. Cosette Side by Side with the Stranger in the Dark VII. Cosette rame uz rame sa strancem u mraku 100 VIII. The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man VIII. Neprijatnost primanja u kuću siromaha koji bi mogao biti bogataš 101 IX. Thénardier and His Manouvres IX. Thénardier i njegovi manevri 102 X. He Who Seeks to Better Himself May Render His Situation Worse X. Ko traži da popravi svoj položaj može ga pogoršati 103 XI. Number 9,430 Reappears, and Cosette Wins It in the Lottery XI. Broj 9.430 se ponovo pojavljuje, i Cosette ga dobija na lutriji 104 I. Master Gorbeau I. Majstor Gorbeau 105 II. A Nest for Owl and a Warbler II. Gnezdo za sovu i grmušu 106 III. Two Misfortunes Make One Piece of Good Fortune III. Dve nesreće čine jednu sreću 107 IV. The Remarks of the Principal Tenant IV. Primedbe glavnog stanara 108 V. A Five-Franc Piece Falls on the Ground and Produces a Tumult V. Novčić od pet franaka pada na pod i izaziva metež 109 I. The Zigzags of Strategy I. Cik-cak putevi strategije 110 II. It Is Lucky That the Pont d’Austerlitz Bears Carriages II. Srećom, most Austerlic nosi kočije 111 III. To Wit, the Plan of Paris in 1727 III. To jest, plan Pariza iz 1727. godine 112 IV. The Gropings of Flight IV. Pipanja bekstva 113 V. Which Would Be Impossible with Gas Lanterns V. Ono što bi s gasnim fenjerima bilo nemoguće 114 VI. The Beginning of an Enigma VI. Početak zagonetke 115 VII. Continuation of the Enigma VII. Nastavak zagonetke 116 VIII. The Enigma Becomes Doubly Mysterious VIII. Zagonetka postaje dvostruko tajanstvenija 117 IX. The Man with the Bell IX. Čovek sa praporcem 118 X. Which Explains How Javert Got on the Scent X. Koje objašnjava kako je Javert napao na trag 119 I. Number 62 Rue Petit-Picpus I. Broj 62 u Ulici Petit-Picpus 120 II. The Obedience of Martin Verga II. Poslušnost Martina Verge 121 III. Austerities III. Isposništva 122 IV. Gayeties IV. Veselja 123 V. Distractions V. Razonode 124 VI. The Little Convent VI. Mali samostan 125 VII. Some Silhouettes of This Darkness VII. Nekoliko silueta ove tame 126 VIII. Post Corda Lapides 127 IX. A Century Under a Guimpe IX. Vek pod kaluđeričkim velom 128 X. Origin of the Perpetual Adoration X. Poreklo večnog obožavanja 129 XI. End of the Petit-Picpus XI. Kraj Petit-Picpusa 130 II. The Convent as an Historical Fact II. Manastir kao istorijska činjenica 131 III. On What Conditions One Can Respect the Past III. Pod kojim uslovima se može poštovati prošlost 132 IV. The Convent from the Point of View of Principles IV. Manastir sa stanovišta načela 133 V. Prayer V. Molitva 134 VI. The Absolute Goodness of Prayer VI. Apsolutna dobrota molitve 135 VIII. Faith, Law VIII. Vera, zakon 136 I. Which Treats of the Manner of Entering a Convent I. Koje govori o načinu ulaska u manastir 137 II. Fauchelevent in the Presence of a Difficulty II. Fauchelevent pred jednom teškoćom 138 III. Mother Innocente III. Majka Innocente 139 IV. In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo IV. U kome Jean Valjean sasvim izgleda kao da je čitao Austina Castilleja 140 V. It Is Not Necessary to Be Drunk in Order to Be Immortal V. Ne mora se biti pijan da bi se bilo besmrtan 141 VI. Between Four Planks VI. Između četiri daske 142 VII. In Which Will Be Found the Origin of the Saying: Don’t Lose the Card VII. U kome će se naći poreklo izreke: Ne izgubi kartu 143 VIII. A Successful Interrogatory VIII. Uspešno saslušanje 144 IX. Cloistered IX. Iza manastirskih zidina 145 II. Some of His Particular Characteristics II. Neke od njegovih osobitih odlika 146 III. He Is Agreeable III. On je prijatan 147 V. His Frontiers V. Njegove granice 148 VI. A Bit of History VI. Malo istorije 149 VII. The Gamin Should Have His Place in the Classifications of India VII. Mangup bi zaslužio mesto u indijskim klasifikacijama 150 VIII. In Which the Reader Will Find a Charming Saying of the Last King VIII. U kojem će čitalac naći ljupku izreku poslednjeg kralja 151 IX. The Old Soul of Gaul IX. Stara duša Galije 152 X. Ecce Paris, Ecce Homo 153 XI. To Scoff, to Reign XI. Rugati se, vladati 154 XII. The Future Latent in the People XII. Budućnost skrivena u narodu 155 XIII. Little Gavroche XIII. Mali Gavroche 156 I. Ninety Years and Thirty-Two Teeth I. Devedeset godina i trideset dva zuba 157 II. Like Master, Like House II. Kakav gospodar, takva i kuća 158 III. Luc-Esprit 159 IV. A Centenarian Aspirant IV. Stogodišnji udvarač 160 V. Basque and Nicolette V. Basque i Nicolette 161 VI. In Which Magnon and Her Two Children Are Seen VI. U kojem se pojavljuju Manjon i njeno dvoje dece 162 VIII. Two Do Not Make a Pair VIII. Dvoje ne čine par 163 I. An Ancient Salon I. Jedan stari salon 164 II. One of the Red Spectres of That Epoch II. Jedan od crvenih utvara tog doba 165 III. Requiescant 166 IV. End of the Brigand IV. Kraj razbojnika 167 V. The Utility of Going to Mass, in Order to Become a Revolutionist V. Korist od odlaska na misu da bi se postalo revolucionar 168 VI. The Consequences of Having Met a Warden VI. Posledice susreta s crkvenim tutorom 169 VII. Some Petticoat VII. Neka suknja 170 VIII. Marble Against Granite VIII. Mermer protiv granita 171 I. A Group Which Barely Missed Becoming Historic I. Grupa koja umalo nije postala istorijska 172 II. Blondeau’s Funeral Oration by Bossuet II. Posmrtni govor Blondou koji drži Bossuet 173 III. Marius’ Astonishments III. Mariusova čuđenja 174 IV. The Back Room of the Café Musain IV. Zadnja soba kafea Musain 175 V. Enlargement of Horizon V. Širenje horizonta 176 VI. Res Angusta 177 I. Marius Indigent I. Marius u oskudici 178 II. Marius Poor II. Siromašni Marius 179 III. Marius Grown Up III. Odrasli Marius 180 IV. M. Mabeuf 181 V. Poverty a Good Neighbor for Misery V. Siromaštvo, dobar susjed bede 182 VI. The Substitute VI. Zamenik 183 I. The Sobriquet: Mode of Formation of Family Names I. Nadimak: kako nastaju porodična imena 184 II. Lux Facta Est 185 III. Effect of the Spring III. Dejstvo proleća 186 IV. Beginning of a Great Malady IV. Početak velike bolesti 187 V. Divers Claps of Thunder Fall on Ma’am Bougon V. Razni gromovi padaju na gospu Bugon 188 VI. Taken Prisoner VI. Zarobljen 189 VII. Adventures of the Letter U Delivered Over to Conjectures VII. Doživljaji slova U prepuštenog nagađanjima 190 VIII. The Veterans Themselves Can Be Happy VIII. I sami veterani mogu biti srećni 191 IX. Eclipse IX. Pomračenje 192 I. Mines and Miners I. Mine i minери 193 II. The Lowest Depths II. Najdublje dubine 194 III. Babet, Gueulemer, Claquesous, and Montparnasse III. Babet, Gueulemer, Claquesous i Montparnasse 195 IV. Composition of the Troupe IV. Sastav bande 196 I. Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap I. Marius, tražeći devojku sa kapicom, susreće čoveka s kapom 197 II. Treasure Trove II. Pronađeno blago 198 III. Quadrifrons 199 IV. A Rose in Misery IV. Ruža u bedi 200 V. A Providential Peephole V. Providencijalna rupica za virenje 201 VI. The Wild Man in His Lair VI. Divljak u svom brlogu 202 VII. Strategy and Tactics VII. Strategija i taktika 203 VIII. The Ray of Light in the Hovel VIII. Zrak svetlosti u straćari 204 IX. Jondrette Comes Near Weeping IX. Žondret samo što ne zaplače 205 X. Tariff of Licensed Cabs: Two Francs an Hour X. Tarifa fijakera s dozvolom: dva franka na sat 206 XI. Offers of Service from Misery to Wretchedness XI. Ponude usluga od bede bedi 207 XII. The Use Made of M. Leblanc’s Five-Franc Piece XII. Šta je učinjeno s petofrankom gospodina Leblana 208 XIII. Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster 209 XIV. In Which a Police Agent Bestows Two Fistfuls on a Lawyer XIV. U kojem policijski agent udeljuje advokatu dve pesnice 210 XV. Jondrette Makes His Purchases XV. Jondrette obavlja svoje kupovine 211 XVI. In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832 XVI. U kojem se nalaze reči jedne engleske melodije koja je bila u modi 1832. 212 XVII. The Use Made of Marius’ Five-Franc Piece XVII. Kako je upotrebljen Mariusov novčić od pet franaka 213 XVIII. Marius’ Two Chairs Form a Vis-à-vis XVIII. Dve Mariusove stolice stoje jedna naspram druge 214 XIX. Occupying One’s Self with Obscure Depths XIX. Baviti se mračnim dubinama 215 XX. The Trap XX. Zamka 216 XXI. One Should Always Begin by Arresting the Victims XXI. Uvek treba početi hapšenjem žrtava 217 XXII. The Little One Who Was Crying in Volume Two XXII. Mališan koji je plakao u drugom tomu 218 I. Well Cut I. Dobro skrojeno 219 II. Badly Sewed II. Loše sašiveno 220 III. Louis Philippe III. Luj Filip 221 IV. Cracks Beneath the Foundation IV. Pukotine ispod temelja 222 V. Facts Whence History Springs and Which History Ignores V. Činjenice iz kojih izvire istorija, a koje istorija zanemaruje 223 VI. Enjolras and His Lieutenants VI. Enjolras i njegovi poručnici 224 I. The Lark’s Meadow I. Ševina livada 225 II. Embryonic Formation of Crimes in the Incubation of Prisons II. Zametak zločina u inkubaciji tamnica 226 III. Apparition to Father Mabeuf III. Priviđenje čiča-Mabefu 227 IV. An Apparition to Marius IV. Priviđenje Mariusu 228 I. The House with a Secret I. Kuća s tajnom 229 II. Jean Valjean as a National Guard II. Jean Valjean kao narodni gardista 230 III. Foliis Ac Frondibus 231 IV. Change of Gate IV. Promena kapije 232 V. The Rose Perceives That It Is an Engine of War V. Ruža uviđa da je ratna sprava 233 VI. The Battle Begun VI. Otpočela bitka 234 VII. To One Sadness Oppose a Sadness and a Half VII. Suprotstaviti jednoj tuzi tugu i po 235 VIII. The Chain-Gang VIII. Robijaški lanac 236 I. A Wound Without, Healing Within I. Rana spolja, isceljenje iznutra 237 II. Mother Plutarque Finds No Difficulty in Explaining a Phenomenon II. Majka Plutarque bez muke objašnjava jednu pojavu 238 I. Solitude and the Barracks Combined I. Samoća i kasarna udruženi 239 II. Cosette’s Apprehensions II. Cosettina strahovanja 240 III. Enriched with Commentaries by Toussaint III. Obogaćeno Toussaintovim komentarima 241 IV. A Heart Beneath a Stone IV. Srce ispod kamena 242 V. Cosette After the Letter V. Cosette posle pisma 243 VI. Old People Are Made to Go Out Opportunely VI. Starci su tu da izađu u pravi čas 244 I. The Malicious Playfulness of the Wind I. Pakosna razigranost vetra 245 II. In Which Little Gavroche Extracts Profit from Napoleon the Great II. U kojem mali Gavroche izvlači korist od Napoleona Velikog 246 III. The Vicissitudes of Flight III. Preokreti bekstva 247 I. Origin I. Poreklo 248 II. Roots II. Koreni 249 III. Slang Which Weeps and Slang Which Laughs Žargon koji plače i žargon koji se smeje 250 IV. The Two Duties: To Watch and to Hope Dve dužnosti: bdeti i nadati se 251 I. Full Light Puna svetlost 252 II. The Bewilderment of Perfect Happiness Zbunjenost savršene sreće 253 III. The Beginning of Shadow Početak senke 254 IV. A Cab Runs in English and Barks in Slang Fijaker juri na engleskom i laje na žargonu 255 V. Things of the Night Stvari noći 256 VI. Marius Becomes Practical Once More to the Extent of Giving Cosette His Address Marius ponovo postaje praktičan toliko da daje Cosette svoju adresu 257 VII. The Old Heart and the Young Heart in the Presence of Each Other VII. Staro srce i mlado srce jedno naspram drugog 258 I. Jean Valjean 259 II. Marius 260 III. M. Mabeuf III. Gospodin Mabeuf 261 I. The Surface of the Question I. Površina pitanja 262 II. The Root of the Matter II. Suština stvari 263 III. A Burial; An Occasion to Be Born Again III. Sahrana; prilika da se ponovo rodiš 264 IV. The Ebullitions of Former Days IV. Uzavrela osećanja nekadašnjih dana 265 V. Originality of Paris V. Originalnost Pariza 266 I. Some Explanations with Regard to the Origin of Gavroche’s Poetry I. Nekoliko objašnjenja o poreklu Gavroševe poezije 267 II. Gavroche on the March II. Gavroš u maršu 268 III. Just Indignation of a Hairdresser III. Opravdano negodovanje jednog berberina 269 IV. The Child Is Amazed at the Old Man IV. Dete se čudi starcu 270 V. The Old Man V. Starac 271 VI. Recruits VI. Regruti 272 I. History of Corinthe from Its Foundation I. Istorija Corinthea od njegovog osnivanja 273 II. Preliminary Gayeties II. Uvodne veselosti 274 III. Night Begins to Descend Upon Grantaire III. Noć počinje da se spušta na Grantairea 275 IV. An Attempt to Console the Widow Hucheloup IV. Pokušaj da se uteši udovica Hucheloup 276 V. Preparations V. Pripreme 277 VI. Waiting VI. Čekanje 278 VII. The Man Recruited in the Rue des Billettes VII. Čovek unovačen u Rue des Billettes 279 VIII. Many Interrogation Points with Regard to a Certain le Cabuc VIII. Mnogo znakova pitanja u vezi s izvesnim Le Cabucom 280 I. From the Rue Plumet to the Quartier Saint-Denis I. Od Rue Plumet do kvarta Saint-Denis 281 II. An Owl’s View of Paris II. Pariz iz ptičje perspektive sove 282 III. The Extreme Edge III. Krajnja ivica 283 I. The Flag: Act First I. Zastava: prvi čin 284 II. The Flag: Act Second II. Zastava: drugi čin 285 III. Gavroche Would Have Done Better to Accept Enjolras’ Carbine III. Gavroche bi bolje učinio da je prihvatio Enjolrasovu karabinku 286 IV. The Barrel of Powder IV. Bure baruta 287 V. End of the Verses of Jean Prouvaire V. Kraj stihova Žana Pruvera 288 VI. The Agony of Death After the Agony of Life VI. Agonija smrti nakon agonije života 289 VII. Gavroche as a Profound Calculator of Distances VII. Gavroš kao dubok proračunavač razdaljina 290 I. A Drinker Is a Babbler I. Pijanac je brbljivac 291 II. The Street Urchin an Enemy of Light II. Ulično derište, neprijatelj svetlosti 292 III. While Cosette and Toussaint Are Asleep III. Dok Cosette i Toussaint spavaju 293 IV. Gavroche’s Excess of Zeal IV. Gavrošev preteran žar 294 I. The Charybdis of the Faubourg Saint Antoine and the Scylla I. Haribda predgrađa Saint-Antoine i Scila 295 II. What Is to Be Done in the Abyss if One Does Not Converse II. Šta raditi u ponoru ako se ne razgovara 296 III. Light and Shadow III. Svetlost i senka 297 IV. Minus Five, Plus One IV. Pet manje, jedan više 298 V. The Horizon Which One Beholds from the Summit of a Barricade V. Horizont koji se vidi s vrha barikade 299 VI. Marius Haggard, Javert Laconic VI. Marius izmučen, Javert lakonski 300 VII. The Situation Becomes Aggravated VII. Situacija se pogoršava 301 VIII. The Artillerymen Compel People to Take Them Seriously VIII. Artiljerci prisiljavaju da ih shvate ozbiljno 302 IX. Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796 IX. Upotreba starih veština jednog krivolovca i one nepogrešive gađačke veštine koja je uticala na osudu iz 1796. 303 X. Dawn X. Zora 304 XI. The Shot Which Misses Nothing and Kills No One XI. Hitac koji ne promašuje ništa i ne ubija nikoga 305 XII. Disorder a Partisan of Order XII. Nered kao pristalica reda 306 XIII. Passing Gleams XIII. Prolazni odsjaji 307 XIV. Wherein Will Appear the Name of Enjolras’ Mistress XIV. U kome će se pojaviti ime Enjolrasove drage 308 XV. Gavroche Outside XV. Gavroche napolju 309 XVI. How from a Brother One Becomes a Father XVI. Kako se od brata postaje otac 310 XVII. Mortuus Pater Filium Moriturum Expectat 311 XVIII. The Vulture Become Prey XVIII. Lešinar postaje plen 312 XIX. Jean Valjean Takes His Revenge XIX. Jean Valjean se osvećuje 313 XX. The Dead Are in the Right and the Living Are Not in the Wrong XX. Mrtvi su u pravu, a živi nisu u krivu 314 XXI. The Heroes XXI. Heroji 315 XXII. Foot to Foot XXII. Stopu po stopu 316 XXIII. Orestes Fasting and Pylades Drunk XXIII. Gladni Orest i pijani Pilad 317 XXIV. Prisoner XXIV. Zarobljenik 318 I. The Land Impoverished by the Sea I. Zemlja koju more osiromašuje 319 II. Ancient History of the Sewer II. Drevna istorija kanalizacije 320 III. Bruneseau 321 IV 322 V. Present Progress V. Sadašnji napredak 323 VI. Future Progress VI. Budući napredak 324 I. The Sewer and Its Surprises I. Kanalizacija i njena iznenađenja 325 II. Explanation II. Objašnjenje 326 III. The “Spun” Man III. "Praćeni" čovek 327 IV. He Also Bears His Cross IV. I on nosi svoj krst 328 V. In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous V. U pesku kao i u ženi ima podmukle finoće 329 VI. The Fontis VI. Fontis 330 VII. One Sometimes Runs Aground When One Fancies That One Is Disembarking VII. Ponekad se nasučeš kad misliš da si se iskrcao 331 VIII. The Torn Coattail VIII. Pocepani skut kaputa 332 IX. Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead IX. Marius na nekoga ko se u to razume ostavlja utisak mrtvaca 333 X. Return of the Son Who Was Prodigal of His Life X. Povratak sina rasipnika svog života 334 XI. Concussion in the Absolute XI. Potres u apsolutnom 335 XII. The Grandfather XII. Deda 336 I. Javert passed slowly down the Rue de l’Homme Armé I. Javert je polako silazio ulicom de l'Homme Armé 337 I. In Which the Tree with the Zinc Plaster Appears Again I. U kojem se ponovo pojavljuje drvo sa cinkanim flasterom 338 II. Marius, Emerging from Civil War, Makes Ready for Domestic War II. Marius, izišavši iz građanskog rata, sprema se za kućni rat 339 III. Marius Attacked III. Marius napadnut 340 IV. Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm IV. U kojem gospođica Gillenormand na kraju više ne smatra lošim što je gospodin Fauchelevent ušao s nečim pod pazuhom 341 V. Deposit Your Money in a Forest Rather Than with a Notary V. Odloži svoj novac radije u šumu nego kod beležnika 342 VI. The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy VI. Dvojica staraca čine sve, svaki na svoj način, da usreće Cosette 343 VII. The Effects of Dreams Mingled with Happiness VII. Učinci snova pomešanih sa srećom 344 VIII. Two Men Impossible to Find VIII. Dvojica ljudi koje je nemoguće pronaći 345 I. The 16th of February, 1833 I. 16. februar 1833. 346 II. Jean Valjean Still Wears His Arm in a Sling II. Jean Valjean i dalje nosi ruku u povesci 347 III. The Inseparable III. Nerazdvojni 348 IV. The Immortal Liver IV. Besmrtna jetra 349 I. The Seventh Circle and the Eighth Heaven I. Sedmi krug i osmo nebo 350 II. The Obscurities Which a Revelation Can Contain II. Mrakovi koje otkriće može sadržati 351 I. The Lower Chamber I. Donja soba 352 II. Another Step Backwards II. Još jedan korak unazad 353 III. They Recall the Garden of the Rue Plumet III. Sećaju se vrta u Ulici Plume 354 IV. Attraction and Extinction IV. Privlačnost i gašenje 355 I. Pity for the Unhappy, but Indulgence for the Happy I. Sažaljenje prema nesrećnima, ali popustljivost prema srećnima 356 II. Last Flickerings of a Lamp Without Oil II. Poslednji treptaji svetiljke bez ulja 357 III. A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart III. Pero je teško čoveku koji je podigao Faucheleventova kola 358 IV. A Bottle of Ink Which Only Succeeded in Whitening IV. Bočica mastila kojoj je pošlo za rukom samo da obeli 359 V. A Night Behind Which There Is Day V. Noć iza koje je dan